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ISRC

QMDA71348273

LET'S LOCK THE DOOR (AND THROW AWAY THE KEY) [KARAOKE VERSION]

Song: LET'S LOCK THE DOOR (AND THROW AWAY THE KEY)

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QMDA71348273 is the International Standard Recording Code (ISRC) for the recording "LET'S LOCK THE DOOR (AND THROW AWAY THE KEY) [KARAOKE VERSION]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WES FARRELL, ROY ALFRED.

Format

QMCountry
DA7Registrant
13Year (2013)
48273Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLET'S LOCK THE DOOR (AND THROW AWAY THE KEY) [KARAOKE VERSION]
IPIWES FARRELL

Related

Songwriter profiles

WES FARRELLIPIROY ALFREDIPI

People also ask

What is the ISRC for "LET'S LOCK THE DOOR (AND THROW AWAY THE KEY) [KARAOKE VERSION]"?
The ISRC for "LET'S LOCK THE DOOR (AND THROW AWAY THE KEY) [KARAOKE VERSION]" is QMDA71348273.
Who wrote "LET'S LOCK THE DOOR (AND THROW AWAY THE KEY) [KARAOKE VERSION]"?
"LET'S LOCK THE DOOR (AND THROW AWAY THE KEY) [KARAOKE VERSION]" was written by WES FARRELL, ROY ALFRED.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMDA71348273?

QMDA71348273 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LET'S LOCK THE DOOR (AND THROW AWAY THE KEY) [KARAOKE VERSION]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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