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ISRC

QMEU32103286

International Jazz Festival of Paris - 8th May 1949: 1. Ain’t Gonna Nobody’s None of my Jelly Roll

Sidney BechetPierre Braslavsky Orchestra
Released 2021-05-07

Last verified:

QMEU32103286 is the International Standard Recording Code (ISRC) for the recording "International Jazz Festival of Paris - 8th May 1949: 1. Ain’t Gonna Nobody’s None of my Jelly Roll" by Sidney Bechet, Pierre Braslavsky Orchestra, released 2021-05-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
EU3Registrant
21Year (2021)
03286Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "International Jazz Festival of Paris - 8th May 1949: 1. Ain’t Gonna Nobody’s None of my Jelly Roll" by Sidney Bechet?
The ISRC for "International Jazz Festival of Paris - 8th May 1949: 1. Ain’t Gonna Nobody’s None of my Jelly Roll" by Sidney Bechet, Pierre Braslavsky Orchestra is QMEU32103286.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMEU32103286?

QMEU32103286 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "International Jazz Festival of Paris - 8th May 1949: 1. Ain’t Gonna Nobody’s None of my Jelly Roll" by Sidney Bechet, Pierre Braslavsky Orchestra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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