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ISRC

QMFME1907273

Zelmira: Perchè mi guardi e piangi - Sigismond Thalberg: op. 70, No. 6 after Gioachino Rossini

Song: L'Art du chant appliqué au Piano, op. 70: 7. Bella adorata incognita, romance de l'opéra Il Giuramento de Mercadante

Mordecai Shehori
Released 2019-11-15

Last verified:

QMFME1907273 is the International Standard Recording Code (ISRC) for the recording “Zelmira: Perchè mi guardi e piangi - Sigismond Thalberg: op. 70, No. 6 after Gioachino Rossini” by Mordecai Shehori, released 2019-11-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
FMERegistrant
19Year (2019)
07273Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Zelmira: Perchè mi guardi e piangi - Sigismond Thalberg: op. 70, No. 6 after Gioachino Rossini" by Mordecai Shehori?
The ISRC for "Zelmira: Perchè mi guardi e piangi - Sigismond Thalberg: op. 70, No. 6 after Gioachino Rossini" by Mordecai Shehori is QMFME1907273.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMFME1907273?

QMFME1907273 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Zelmira: Perchè mi guardi e piangi - Sigismond Thalberg: op. 70, No. 6 after Gioachino Rossini” by Mordecai Shehori. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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