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KID BROTHER album cover

ISRC

QMFME2042975

KID BROTHER

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QMFME2042975 is the International Standard Recording Code (ISRC) for the recording “KID BROTHER”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PHIL BALSANO, PAM BRADLEY.

Format

QMCountry
FMERegistrant
20Year (2020)
42975Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PHIL BALSANOComposerLyricist
SWING BEAT SONGS OriginalPublisher0.00%IPI: 00193070967
KOBALT MUSIC PUB AMERICA INC SubPublisher100.00%IPI: 00503659557
PAM BRADLEYComposerLyricist
SWING BEAT SONGS OriginalPublisher0.00%IPI: 00193070967
KOBALT MUSIC PUB AMERICA INC SubPublisher100.00%IPI: 00503659557

Who publishes this song?

SWING BEAT SONGSOriginalPublisher
IPI: 00193070967
KOBALT MUSIC PUB AMERICA INCSubPublisher
IPI: 00503659557

MLC Song Code

KA1L0H
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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Songwriter profiles

People also ask

What is the ISRC for "KID BROTHER"?
The ISRC for "KID BROTHER" is QMFME2042975.
Who wrote "KID BROTHER"?
"KID BROTHER" was written by PHIL BALSANO, PAM BRADLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMFME2042975?

QMFME2042975 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “KID BROTHER”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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