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GHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F) album cover

ISRC

QMFME2089558

GHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F)

Song: GHETTO UNTIL PROVEN FASHIONABLE

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QMFME2089558 is the International Standard Recording Code (ISRC) for the recording “GHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHRISTOPHER HARRIS, DANIEL JONES.

Format

QMCountry
FMERegistrant
20Year (2020)
89558Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F)
IPICHRISTOPHER HARRIS

Related

Songwriter profiles

CHRISTOPHER HARRISIPI

People also ask

What is the ISRC for "GHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F)"?
The ISRC for "GHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F)" is QMFME2089558.
Who wrote "GHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F)"?
"GHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F)" was written by CHRISTOPHER HARRIS, DANIEL JONES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMFME2089558?

QMFME2089558 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “GHETTO UNTIL PROVEN FASHIONABLE (FEAT. NICKELUS F)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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