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RAILROAD BLUES (I'M SAN FRANCISCO BOUND) album cover

ISRC

QMFMF1322774

RAILROAD BLUES (I'M SAN FRANCISCO BOUND)

Song: RAILROAD BLUES

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QMFMF1322774 is the International Standard Recording Code (ISRC) for the recording “RAILROAD BLUES (I'M SAN FRANCISCO BOUND)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JESSE FULLER.

Format

QMCountry
FMFRegistrant
13Year (2013)
22774Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JESSE FULLERComposer
BUDDE MUSIC INC OriginalPublisher0.00%IPI: 00129188947
DOWNTOWN DLJ SONGS LLC RightsAdministrator100.00%IPI: 00647171538

Who publishes this song?

BUDDE MUSIC INCOriginalPublisher
IPI: 00129188947
DOWNTOWN DLJ SONGS LLCRightsAdministrator
IPI: 00647171538
SourcesMLC

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People also ask

What is the ISRC for "RAILROAD BLUES (I'M SAN FRANCISCO BOUND)"?
The ISRC for "RAILROAD BLUES (I'M SAN FRANCISCO BOUND)" is QMFMF1322774.
Who wrote "RAILROAD BLUES (I'M SAN FRANCISCO BOUND)"?
"RAILROAD BLUES (I'M SAN FRANCISCO BOUND)" was written by JESSE FULLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMFMF1322774?

QMFMF1322774 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “RAILROAD BLUES (I'M SAN FRANCISCO BOUND)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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