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Ain't No Love (feat. Knowledge the Pirate) album cover

ISRC

QMFMG2564303

Ain't No Love (feat. Knowledge the Pirate)

Song: AIN'T NO LOVE

Flee Lord & Jansport J
matched

Last verified:

QMFMG2564303 is the International Standard Recording Code (ISRC) for the recording “Ain't No Love (feat. Knowledge the Pirate)” by Flee Lord & Jansport J. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUSTIN KEITH WILLIAMS.

Format

QMCountry
FMGRegistrant
25Year (2025)
64303Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAin't No Love (feat. Knowledge the Pirate)
IPIJUSTIN KEITH WILLIAMS

People also ask

What is the ISRC for "Ain't No Love (feat. Knowledge the Pirate)" by Flee Lord & Jansport J?
The ISRC for "Ain't No Love (feat. Knowledge the Pirate)" by Flee Lord & Jansport J is QMFMG2564303.
Who wrote "Ain't No Love (feat. Knowledge the Pirate)"?
"Ain't No Love (feat. Knowledge the Pirate)" was written by JUSTIN KEITH WILLIAMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMFMG2564303?

QMFMG2564303 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ain't No Love (feat. Knowledge the Pirate)” by Flee Lord & Jansport J. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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