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I Had My Hopes Up High album cover

ISRC

QMJ9S1500254

I Had My Hopes Up High

Song: I HAD MY HOPES UP HIGH

Randy RogersWade Bowen
unmatchedNot yet matched in the MLC database
Released 2015-01-01

Last verified:

QMJ9S1500254 is the International Standard Recording Code (ISRC) for the recording "I Had My Hopes Up High" by Randy Rogers, Wade Bowen, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
J9SRegistrant
15Year (2015)
00254Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOE ELYComposer
FREEFLOW OriginalPublisher0.00%
EMI APRIL MUSIC INC RightsAdministrator100.00%IPI: 00128633767

Who publishes this song?

FREEFLOWOriginalPublisher
EMI APRIL MUSIC INCRightsAdministrator
IPI: 00128633767

MLC Song Code

I16607
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

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People also ask

What is the ISRC for "I Had My Hopes Up High" by Randy Rogers?
The ISRC for "I Had My Hopes Up High" by Randy Rogers, Wade Bowen is QMJ9S1500254.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMJ9S1500254?

QMJ9S1500254 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I Had My Hopes Up High" by Randy Rogers, Wade Bowen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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