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ISRC

QMN7K1800001

A Very Stable Genius: I. The Power Structure / II. Breaking Records / III. Lincoln Was a Republican (What Do You Have to Lose?)

Kyle Bronsdon

Last verified:

QMN7K1800001 is the International Standard Recording Code (ISRC) for the recording “A Very Stable Genius: I. The Power Structure / II. Breaking Records / III. Lincoln Was a Republican (What Do You Have to Lose?)” by Kyle Bronsdon. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
N7KRegistrant
18Year (2018)
00001Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "A Very Stable Genius: I. The Power Structure / II. Breaking Records / III. Lincoln Was a Republican (What Do You Have to Lose?)" by Kyle Bronsdon?
The ISRC for "A Very Stable Genius: I. The Power Structure / II. Breaking Records / III. Lincoln Was a Republican (What Do You Have to Lose?)" by Kyle Bronsdon is QMN7K1800001.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMN7K1800001?

QMN7K1800001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “A Very Stable Genius: I. The Power Structure / II. Breaking Records / III. Lincoln Was a Republican (What Do You Have to Lose?)” by Kyle Bronsdon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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