LIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES) album cover

ISRC

QMQTM1300475

LIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES)

Song: LIL NI**A (FEAT. FLY BOY, CAP 1 & JIM JONES)

BLEU DAVINCI
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QMQTM1300475 is the International Standard Recording Code (ISRC) for the recording "LIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES)" by BLEU DAVINCI. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CASEY MCMILLAN, BARIMA MCKNIGHT, QUETIN SHEMWELL.

Format

QMCountry
QTMRegistrant
13Year (2013)
00475Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES)

People also ask

What is the ISRC for "LIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES)" by BLEU DAVINCI?
The ISRC for "LIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES)" by BLEU DAVINCI is QMQTM1300475.
Who wrote "LIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES)"?
"LIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES)" was written by CASEY MCMILLAN, BARIMA MCKNIGHT, QUETIN SHEMWELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMQTM1300475?

QMQTM1300475 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LIL' NI**A (FEAT. FLY BOY PAT, CAP 1 & JIM JONES)" by BLEU DAVINCI. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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