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Party on the Corner (Shep Pettibone mix) album cover

ISRC

QMRSZ1701560

Party on the Corner (Shep Pettibone mix)2

Song: PARTY ON THE CORNER

Vaughan MasonButch Dayo
matched
Released 2017-09-15

Last verified:

QMRSZ1701560 is the International Standard Recording Code (ISRC) for the recording “Party on the Corner (Shep Pettibone mix)” by Vaughan Mason, Butch Dayo, released 2017-09-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BEN EPPS.

Format

QMCountry
RSZRegistrant
17Year (2017)
01560Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BEN EPPSComposer

MLC Song Code

PA2FTO
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Party on the Corner (Shep Pettibone mix)" by Vaughan Mason?
The ISRC for "Party on the Corner (Shep Pettibone mix)" by Vaughan Mason, Butch Dayo is QMRSZ1701560.
Who wrote "Party on the Corner (Shep Pettibone mix)"?
"Party on the Corner (Shep Pettibone mix)" was written by BEN EPPS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMRSZ1701560?

QMRSZ1701560 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Party on the Corner (Shep Pettibone mix)” by Vaughan Mason, Butch Dayo. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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