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YAK'S PRAYER - FEAT. KODAK BLACK album cover

ISRC

QMRSZ2401305

YAK'S PRAYER - FEAT. KODAK BLACK

Song: YAK'S PRAYER (FEAT. KODAK BLACK)

MUSTARDKODAK BLACK
matched

Last verified:

QMRSZ2401305 is the International Standard Recording Code (ISRC) for the recording "YAK'S PRAYER - FEAT. KODAK BLACK" by MUSTARD, KODAK BLACK. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DIJON MCFARLANE, DIEUSON OCTAVE, NAOMI GRACE SAALFIELD, and others.

Format

QMCountry
RSZRegistrant
24Year (2024)
01305Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCYAK'S PRAYER - FEAT. KODAK BLACK
IPIDIJON MCFARLANE

People also ask

What is the ISRC for "YAK'S PRAYER - FEAT. KODAK BLACK" by MUSTARD?
The ISRC for "YAK'S PRAYER - FEAT. KODAK BLACK" by MUSTARD, KODAK BLACK is QMRSZ2401305.
Who wrote "YAK'S PRAYER - FEAT. KODAK BLACK"?
"YAK'S PRAYER - FEAT. KODAK BLACK" was written by DIJON MCFARLANE, DIEUSON OCTAVE, NAOMI GRACE SAALFIELD, SIMON MAVIN, PAUL BENDER, PERRIN MOSS, LARRY JAMES SANDERS, SEAN MOMBERGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMRSZ2401305?

QMRSZ2401305 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "YAK'S PRAYER - FEAT. KODAK BLACK" by MUSTARD, KODAK BLACK. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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