ISRC

QMVRR1633368

"""LOVE MISSILE F 1-11 (FROM """"FERRIS BUELLERS' DAY OFF"""")"""

Song: LOVE MISSILE F1-11 (PART 2)

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QMVRR1633368 is the International Standard Recording Code (ISRC) for the recording """"LOVE MISSILE F 1-11 (FROM """"FERRIS BUELLERS' DAY OFF"""")"""". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NEAL WHITMORE, MARTIN DEGVILLE, TONY JAMES.

Format

QMCountry
VRRRegistrant
16Year (2016)
33368Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"""LOVE MISSILE F 1-11 (FROM """"FERRIS BUELLERS' DAY OFF"""")"""

People also ask

What is the ISRC for """"LOVE MISSILE F 1-11 (FROM """"FERRIS BUELLERS' DAY OFF"""")""""?
The ISRC for """"LOVE MISSILE F 1-11 (FROM """"FERRIS BUELLERS' DAY OFF"""")"""" is QMVRR1633368.
Who wrote """"LOVE MISSILE F 1-11 (FROM """"FERRIS BUELLERS' DAY OFF"""")""""?
""""LOVE MISSILE F 1-11 (FROM """"FERRIS BUELLERS' DAY OFF"""")"""" was written by NEAL WHITMORE, MARTIN DEGVILLE, TONY JAMES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMVRR1633368?

QMVRR1633368 is an International Standard Recording Code (ISRC) that uniquely identifies the recording """"LOVE MISSILE F 1-11 (FROM """"FERRIS BUELLERS' DAY OFF"""")"""". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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