ISRC

QMVRR1633802

"BREAK ON THROUGH (TO THE OTHER SIDE) [FROM ""MINIONS""]"

Song: BREAK ON THROUGH (TO THE OTHER SIDE

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QMVRR1633802 is the International Standard Recording Code (ISRC) for the recording “"BREAK ON THROUGH (TO THE OTHER SIDE) [FROM ""MINIONS""]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT A KRIEGER, JIM (USA) MORRISON, JOHN PAUL DENSMORE, and others.

Format

QMCountry
VRRRegistrant
16Year (2016)
33802Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"BREAK ON THROUGH (TO THE OTHER SIDE) [FROM ""MINIONS""]"

People also ask

What is the ISRC for ""BREAK ON THROUGH (TO THE OTHER SIDE) [FROM ""MINIONS""]""?
The ISRC for ""BREAK ON THROUGH (TO THE OTHER SIDE) [FROM ""MINIONS""]"" is QMVRR1633802.
Who wrote ""BREAK ON THROUGH (TO THE OTHER SIDE) [FROM ""MINIONS""]""?
""BREAK ON THROUGH (TO THE OTHER SIDE) [FROM ""MINIONS""]"" was written by ROBERT A KRIEGER, JIM (USA) MORRISON, JOHN PAUL DENSMORE, RAYMOND D MANZAREK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMVRR1633802?

QMVRR1633802 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “"BREAK ON THROUGH (TO THE OTHER SIDE) [FROM ""MINIONS""]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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