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ISRC

QMVRR1635558

IRON MAN

Song: IRON MAN THEME 2008 VERSION

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QMVRR1635558 is the International Standard Recording Code (ISRC) for the recording "IRON MAN". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by F. IOMMI, J. OSBOURNE, T. BUTLER, and others.

Format

QMCountry
VRRRegistrant
16Year (2016)
35558Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

F. IOMMIComposerLyricist
ESSEX MUSIC INTERNATIONAL OriginalPublisher100.00%IPI: 00009518389
J. OSBOURNEComposerLyricist
ESSEX MUSIC INTERNATIONAL OriginalPublisher100.00%IPI: 00009518389
T. BUTLERComposerLyricist
ESSEX MUSIC INTERNATIONAL OriginalPublisher100.00%IPI: 00009518389
W. WARDComposerLyricist
ESSEX MUSIC INTERNATIONAL OriginalPublisher100.00%IPI: 00009518389

Who publishes this song?

ESSEX MUSIC INTERNATIONALOriginalPublisher
IPI: 00009518389
SourcesMLC

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People also ask

What is the ISRC for "IRON MAN"?
The ISRC for "IRON MAN" is QMVRR1635558.
Who wrote "IRON MAN"?
"IRON MAN" was written by F. IOMMI, J. OSBOURNE, T. BUTLER, W. WARD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMVRR1635558?

QMVRR1635558 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "IRON MAN". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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