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La pasión pide un receso (salsa) album cover

ISRC

QMYW20401332

La pasión pide un receso (salsa)2

Song: LA PASION PIDE UN RECESO

Sophy
matched
Released 1981-01-01

Last verified:

QMYW20401332 is the International Standard Recording Code (ISRC) for the recording “La pasión pide un receso (salsa)” by Sophy, released 1981-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ZULMA ANGELICA GONZALEZ.

Format

QMCountry
YW2Registrant
04Year (2004)
01332Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ZULMA ANGELICA GONZALEZComposer
UNIVERSAL MUSICA, INC. OriginalPublisher100.00%IPI: 00344554265

Who publishes this song?

UNIVERSAL MUSICA, INC.OriginalPublisher
IPI: 00344554265
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "La pasión pide un receso (salsa)" by Sophy?
The ISRC for "La pasión pide un receso (salsa)" by Sophy is QMYW20401332.
Who wrote "La pasión pide un receso (salsa)"?
"La pasión pide un receso (salsa)" was written by ZULMA ANGELICA GONZALEZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMYW20401332?

QMYW20401332 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La pasión pide un receso (salsa)” by Sophy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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