"CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")" album cover

ISRC

QZ22B1865485

"CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")"

Song: NAE MA EUM DEUL LI NA YO (FEAT. LEE HI)

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QZ22B1865485 is the International Standard Recording Code (ISRC) for the recording “"CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SEONG KWON CHOI, DUNG WOON SONG, ROCO, and others.

Format

QZCountry
22BRegistrant
18Year (2018)
65485Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")"

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People also ask

What is the ISRC for ""CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")""?
The ISRC for ""CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")"" is QZ22B1865485.
Who wrote ""CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")""?
""CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")"" was written by SEONG KWON CHOI, DUNG WOON SONG, ROCO, JUNG SIK KIM, JIN MITHRA, CONAN, TABLO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ22B1865485?

QZ22B1865485 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “"CAN YOU HEAR MY HEART (FROM ""SCARLET HEART RYEO"")". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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