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Quiero Levantar Mis Manos Instrumental album cover

ISRC

QZ2J21506454

Quiero Levantar Mis Manos Instrumental2

Song: QUIERO LEVANTAR MIS MANOS INSTRUMENTAL

Cuerdas Instrumentales
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Released 2023-03-17

Last verified:

QZ2J21506454 is the International Standard Recording Code (ISRC) for the recording “Quiero Levantar Mis Manos Instrumental” by Cuerdas Instrumentales, released 2023-03-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIGUEL BENITO CASSINA JUAREZ.

Format

QZCountry
2J2Registrant
15Year (2015)
06454Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCQuiero Levantar Mis Manos Instrumental
IPIMIGUEL BENITO CASSINA JUAREZ

People also ask

What is the ISRC for "Quiero Levantar Mis Manos Instrumental" by Cuerdas Instrumentales?
The ISRC for "Quiero Levantar Mis Manos Instrumental" by Cuerdas Instrumentales is QZ2J21506454.
Who wrote "Quiero Levantar Mis Manos Instrumental"?
"Quiero Levantar Mis Manos Instrumental" was written by MIGUEL BENITO CASSINA JUAREZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ2J21506454?

QZ2J21506454 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Quiero Levantar Mis Manos Instrumental” by Cuerdas Instrumentales. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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