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ISRC

QZ38A1756895

BOOMERANG

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QZ38A1756895 is the International Standard Recording Code (ISRC) for the recording "BOOMERANG". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DIANA BEACH, DAVID VAN CEYLON.

Format

QZCountry
38ARegistrant
17Year (2017)
56895Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DIANA BEACHComposerLyricist
RIVER OAKS MUSIC COMPANY OriginalPublisher0.00%IPI: 00231989741
CAPITOL CMG PARAGON RightsAdministrator100.00%IPI: 00642854042
DAVID VAN CEYLONComposerLyricist
RIVER OAKS MUSIC COMPANY OriginalPublisher0.00%IPI: 00231989741
CAPITOL CMG PARAGON RightsAdministrator100.00%IPI: 00642854042

Who publishes this song?

RIVER OAKS MUSIC COMPANYOriginalPublisher
IPI: 00231989741
CAPITOL CMG PARAGONRightsAdministrator
IPI: 00642854042

MLC Song Code

B4761Q
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "BOOMERANG"?
The ISRC for "BOOMERANG" is QZ38A1756895.
Who wrote "BOOMERANG"?
"BOOMERANG" was written by DIANA BEACH, DAVID VAN CEYLON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ38A1756895?

QZ38A1756895 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BOOMERANG". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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