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ISRC

QZ38A1758588

READY OR NOT

Song: READY OR NOT (SALAAM'S READY FOR THE SHOW REMIX)

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QZ38A1758588 is the International Standard Recording Code (ISRC) for the recording "READY OR NOT". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THOMAS RANDOLPH BELL, BARRINGTON LEVY, PAUL DONALD LOVE, and others.

Format

QZCountry
38ARegistrant
17Year (2017)
58588Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCREADY OR NOT
IPITHOMAS RANDOLPH BELL

Related

Songwriter profiles

THOMAS RANDOLPH BELLIPIBARRINGTON LEVYIPIPAUL DONALD LOVEIPIWYCLEF JEANIPIROMA SHANE RYANIPIWILLIAM HARTIPINICK RYANIPIPRAKAZREL SAMUEL MICHELIPIEITH NI-BHRAONAINIPILAURYN N. HILLIPI

People also ask

What is the ISRC for "READY OR NOT"?
The ISRC for "READY OR NOT" is QZ38A1758588.
Who wrote "READY OR NOT"?
"READY OR NOT" was written by THOMAS RANDOLPH BELL, BARRINGTON LEVY, PAUL DONALD LOVE, WYCLEF JEAN, ROMA SHANE RYAN, WILLIAM HART, NICK RYAN, PRAKAZREL SAMUEL MICHEL, EITH NI-BHRAONAIN, LAURYN N. HILL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ38A1758588?

QZ38A1758588 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "READY OR NOT". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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