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ISRC

QZ38A1763904

I BELONG TO YOU (EVERY TIME I SEE YOUR FACE) (MIXED)

Song: I BELONG TO YOU

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QZ38A1763904 is the International Standard Recording Code (ISRC) for the recording "I BELONG TO YOU (EVERY TIME I SEE YOUR FACE) (MIXED)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GERALD BAILLERGEAU, VICTOR MERRITT, JEROME WOODS.

Format

QZCountry
38ARegistrant
17Year (2017)
63904Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI BELONG TO YOU (EVERY TIME I SEE YOUR FACE) (MIXED)
IPIGERALD BAILLERGEAU

Related

Songwriter profiles

GERALD BAILLERGEAUIPIVICTOR MERRITTIPIJEROME WOODSIPI

People also ask

What is the ISRC for "I BELONG TO YOU (EVERY TIME I SEE YOUR FACE) (MIXED)"?
The ISRC for "I BELONG TO YOU (EVERY TIME I SEE YOUR FACE) (MIXED)" is QZ38A1763904.
Who wrote "I BELONG TO YOU (EVERY TIME I SEE YOUR FACE) (MIXED)"?
"I BELONG TO YOU (EVERY TIME I SEE YOUR FACE) (MIXED)" was written by GERALD BAILLERGEAU, VICTOR MERRITT, JEROME WOODS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ38A1763904?

QZ38A1763904 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I BELONG TO YOU (EVERY TIME I SEE YOUR FACE) (MIXED)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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