ISRC

QZ38A1767131

WHEREVER I GO (ALCOL UNOFFICIAL REMIX) [MICHAEL BRUN & THE AUDIO INSTITUTE]

Song: WHEREVER I GO

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QZ38A1767131 is the International Standard Recording Code (ISRC) for the recording “WHEREVER I GO (ALCOL UNOFFICIAL REMIX) [MICHAEL BRUN & THE AUDIO INSTITUTE]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MATTHEW RUSSELL ELIFRITZ.

Format

QZCountry
38ARegistrant
17Year (2017)
67131Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWHEREVER I GO (ALCOL UNOFFICIAL REMIX) [MICHAEL BRUN & THE AUDIO INSTITUTE]

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People also ask

What is the ISRC for "WHEREVER I GO (ALCOL UNOFFICIAL REMIX) [MICHAEL BRUN & THE AUDIO INSTITUTE]"?
The ISRC for "WHEREVER I GO (ALCOL UNOFFICIAL REMIX) [MICHAEL BRUN & THE AUDIO INSTITUTE]" is QZ38A1767131.
Who wrote "WHEREVER I GO (ALCOL UNOFFICIAL REMIX) [MICHAEL BRUN & THE AUDIO INSTITUTE]"?
"WHEREVER I GO (ALCOL UNOFFICIAL REMIX) [MICHAEL BRUN & THE AUDIO INSTITUTE]" was written by MATTHEW RUSSELL ELIFRITZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ38A1767131?

QZ38A1767131 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WHEREVER I GO (ALCOL UNOFFICIAL REMIX) [MICHAEL BRUN & THE AUDIO INSTITUTE]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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