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DÉJAME PASAR album cover

ISRC

QZ5AB2005132

DÉJAME PASAR

Song: DEJAME PASAR

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QZ5AB2005132 is the International Standard Recording Code (ISRC) for the recording "DÉJAME PASAR". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUIS MIGUEL DE LA ISLA MORFIN, MARIA DIAZ CORONA CENTENO.

Format

QZCountry
5ABRegistrant
20Year (2020)
05132Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LUIS MIGUEL DE LA ISLA MORFINComposerLyricist
SONY DADC MEXICO SA DE CV OriginalPublisher0.00%IPI: 00231728974
SONY/ATV LATIN MUSIC PUB LLC SubPublisher50.00%IPI: 00197250059
MARIA DIAZ CORONA CENTENOComposerLyricist

Who publishes this song?

SONY DADC MEXICO SA DE CVOriginalPublisher
IPI: 00231728974
SONY/ATV LATIN MUSIC PUB LLCSubPublisher
IPI: 00197250059

MLC Song Code

DB160P
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Related

Songwriter profiles

People also ask

What is the ISRC for "DÉJAME PASAR"?
The ISRC for "DÉJAME PASAR" is QZ5AB2005132.
Who wrote "DÉJAME PASAR"?
"DÉJAME PASAR" was written by LUIS MIGUEL DE LA ISLA MORFIN, MARIA DIAZ CORONA CENTENO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ5AB2005132?

QZ5AB2005132 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DÉJAME PASAR". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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