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Feels Like Church album cover

ISRC

QZ85M2067203

Feels Like Church

Song: FEELS LIKE CHURCH

Peter CottonTaleNew DirectionKirk FranklinTiff Joy
matched
Released 2020-04-17

Last verified:

QZ85M2067203 is the International Standard Recording Code (ISRC) for the recording "Feels Like Church" by Peter CottonTale, New Direction, Kirk Franklin, Tiff Joy, released 2020-04-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PETER WILKINS, KIRK FRANKLIN, TIFFANY MCGHEE, and others.

Format

QZCountry
85MRegistrant
20Year (2020)
67203Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFeels Like Church
IPIPETER WILKINS

People also ask

What is the ISRC for "Feels Like Church" by Peter CottonTale?
The ISRC for "Feels Like Church" by Peter CottonTale, New Direction, Kirk Franklin, Tiff Joy is QZ85M2067203.
Who wrote "Feels Like Church"?
"Feels Like Church" was written by PETER WILKINS, KIRK FRANKLIN, TIFFANY MCGHEE, RACHEL ROBINSON, DWAYNE VERNER JR., TONY MILANO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ85M2067203?

QZ85M2067203 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Feels Like Church" by Peter CottonTale, New Direction, Kirk Franklin, Tiff Joy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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