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Drunken Lady of the Morning album cover

ISRC

QZ9GM1810014

Drunken Lady of the Morning2

Song: DRUNKEN LADY OF THE MORNING

Michael Martin MurpheyLyle Lovett
unmatchedNot yet matched in the MLC database
Released 2018-01-01

Last verified:

QZ9GM1810014 is the International Standard Recording Code (ISRC) for the recording “Drunken Lady of the Morning” by Michael Martin Murphey, Lyle Lovett, released 2018-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHAEL MARTIN MURPHEY.

Format

QZCountry
9GMRegistrant
18Year (2018)
10014Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDrunken Lady of the Morning
IPIMICHAEL MARTIN MURPHEY

People also ask

What is the ISRC for "Drunken Lady of the Morning" by Michael Martin Murphey?
The ISRC for "Drunken Lady of the Morning" by Michael Martin Murphey, Lyle Lovett is QZ9GM1810014.
Who wrote "Drunken Lady of the Morning"?
"Drunken Lady of the Morning" was written by MICHAEL MARTIN MURPHEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ9GM1810014?

QZ9GM1810014 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Drunken Lady of the Morning” by Michael Martin Murphey, Lyle Lovett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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