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Song für die verregneten Tage album cover

ISRC

QZDA42127709

Song für die verregneten Tage2

Song: SONG FUR DIE VERREGNETEN TAGE

Blumio
matched
Released 2012-04-13

Last verified:

QZDA42127709 is the International Standard Recording Code (ISRC) for the recording “Song für die verregneten Tage” by Blumio, released 2012-04-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FUMIO KUNIYOSHI.

Format

QZCountry
DA4Registrant
21Year (2021)
27709Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FUMIO KUNIYOSHIComposer
TUNECORE DIGITAL MUSIC OriginalPublisher100.00%IPI: 00642005099

Who publishes this song?

TUNECORE DIGITAL MUSICOriginalPublisher
IPI: 00642005099

MLC Song Code

X2960Q
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Song für die verregneten Tage" by Blumio?
The ISRC for "Song für die verregneten Tage" by Blumio is QZDA42127709.
Who wrote "Song für die verregneten Tage"?
"Song für die verregneten Tage" was written by FUMIO KUNIYOSHI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZDA42127709?

QZDA42127709 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Song für die verregneten Tage” by Blumio. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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