Bad State of Mind album cover

ISRC

QZDA62588926

Bad State of Mind

Song: BAD STATE OF MIND

Treaty Oak Revival
matched
Released 2025-11-28

Last verified:

QZDA62588926 is the International Standard Recording Code (ISRC) for the recording "Bad State of Mind" by Treaty Oak Revival, released 2025-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEREMIAH DANIEL VANLEY, ROBERT CODY HOLLOWAY, LANCE STUART VANLEY, and others.

Format

QZCountry
DA6Registrant
25Year (2025)
88926Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBad State of Mind

People also ask

What is the ISRC for "Bad State of Mind" by Treaty Oak Revival?
The ISRC for "Bad State of Mind" by Treaty Oak Revival is QZDA62588926.
Who wrote "Bad State of Mind"?
"Bad State of Mind" was written by JEREMIAH DANIEL VANLEY, ROBERT CODY HOLLOWAY, LANCE STUART VANLEY, ANDREW JAMES CAREY, SAMUEL JAMES CANTY, SAMUEL JAMES CANTY, ANDREW JAMES CAREY, ROBERT CODY HOLLOWAY, BLAKE STILES, JEREMIAH DANIEL VANLEY, LANCE STUART VANLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZDA62588926?

QZDA62588926 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Bad State of Mind" by Treaty Oak Revival. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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