Freak Like Me (feat. Adina howard) album cover

ISRC

QZES82525212

Freak Like Me (feat. Adina howard)

Prezzy Babie
unmatchedNot yet matched in the MLC database

Last verified:

QZES82525212 is the International Standard Recording Code (ISRC) for the recording “Freak Like Me (feat. Adina howard) by Prezzy Babie. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GEORGE JR CLINTON, WILLIAM EARL COLLINS, MARC DOUGLAS VALENTINE, and others.

Format

QZCountry
ES8Registrant
25Year (2025)
25212Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFreak Like Me (feat. Adina howard)

People also ask

What is the ISRC for "Freak Like Me (feat. Adina howard)" by Prezzy Babie?
The ISRC for "Freak Like Me (feat. Adina howard)" by Prezzy Babie is QZES82525212.
Who wrote "Freak Like Me (feat. Adina howard)"?
"Freak Like Me (feat. Adina howard)" was written by GEORGE JR CLINTON, WILLIAM EARL COLLINS, MARC DOUGLAS VALENTINE, GARY COOPER, EUGENE LEROY JR. HANES, LOREN HILL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZES82525212?

QZES82525212 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Freak Like Me (feat. Adina howard) by Prezzy Babie. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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