Salsa de ahora album cover

ISRC

QZEZZ2200337

Salsa de ahora

Song: SALSA DE AHORA

MotiffLuis FigueroaJonathan MolyNestyRonald BorjasJimmy Rodríguez
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Last verified:

QZEZZ2200337 is the International Standard Recording Code (ISRC) for the recording "Salsa de ahora" by Motiff, Luis Figueroa, Jonathan Moly, Nesty, Ronald Borjas, Jimmy Rodríguez. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ARBISE DEJESUS GONZALEZ, ERNESTO FIDEL PADILLA, LUIS FIGUEROA-ROIG, and others.

Format

QZCountry
EZZRegistrant
22Year (2022)
00337Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSalsa de ahora

People also ask

What is the ISRC for "Salsa de ahora" by Motiff?
The ISRC for "Salsa de ahora" by Motiff, Luis Figueroa, Jonathan Moly, Nesty, Ronald Borjas, Jimmy Rodríguez is QZEZZ2200337.
Who wrote "Salsa de ahora"?
"Salsa de ahora" was written by ARBISE DEJESUS GONZALEZ, ERNESTO FIDEL PADILLA, LUIS FIGUEROA-ROIG, JIMMY RODRIGUEZ, RONALD BORJAS, JOHNATHAN MOLY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZEZZ2200337?

QZEZZ2200337 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Salsa de ahora" by Motiff, Luis Figueroa, Jonathan Moly, Nesty, Ronald Borjas, Jimmy Rodríguez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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