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Where We Wanna Be album cover

ISRC

QZFYX1962617

Where We Wanna Be2

Song: WHERE WE WANNA BE (FEAT. SLYLEAF)

Hyper PotionsMega FlareSlyleaf
unmatchedNot yet matched in the MLC database
Released 2019-06-24

Last verified:

QZFYX1962617 is the International Standard Recording Code (ISRC) for the recording "Where We Wanna Be" by Hyper Potions, Mega Flare, Slyleaf, released 2019-06-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
FYXRegistrant
19Year (2019)
62617Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

IAN MASATO TSUCHIURAComposerLyricist
SONGTRUST BLVD OriginalPublisher100.00%IPI: 00615755145

Who publishes this song?

SONGTRUST BLVDOriginalPublisher
IPI: 00615755145

MLC Song Code

WA9GNT
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Where We Wanna Be" by Hyper Potions?
The ISRC for "Where We Wanna Be" by Hyper Potions, Mega Flare, Slyleaf is QZFYX1962617.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZFYX1962617?

QZFYX1962617 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Where We Wanna Be" by Hyper Potions, Mega Flare, Slyleaf. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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