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UNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION) album cover

ISRC

QZFZ42173194

UNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION)

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QZFZ42173194 is the International Standard Recording Code (ISRC) for the recording “UNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JONATHAN MATTHEW MANN.

Format

QZCountry
FZ4Registrant
21Year (2021)
73194Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCUNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION)
IPIJONATHAN MATTHEW MANN

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People also ask

What is the ISRC for "UNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION)"?
The ISRC for "UNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION)" is QZFZ42173194.
Who wrote "UNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION)"?
"UNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION)" was written by JONATHAN MATTHEW MANN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZFZ42173194?

QZFZ42173194 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “UNEMPLOYMENT TOO HIGH, WAGES TOO LOW (BERNIE SANDERS RECONCILATION)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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