ISRC

QZHN51981470

THINGS GET GOOD

ALEXIS LYNNALEXIS LYNN;ALEXIS LEIBENZEDER;MELANIE FONTANA;WILLIAM JAY BEHLENDORF
unmatchedNot yet matched in the MLC database

Last verified:

QZHN51981470 is the International Standard Recording Code (ISRC) for the recording "THINGS GET GOOD" by ALEXIS LYNN, ALEXIS LYNN;ALEXIS LEIBENZEDER;MELANIE FONTANA;WILLIAM JAY BEHLENDORF. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALEXIS LYNN, MELANIE JOY FONTANA, MICHEL SCHULZ, and others.

Format

QZCountry
HN5Registrant
19Year (2019)
81470Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHINGS GET GOOD

People also ask

What is the ISRC for "THINGS GET GOOD" by ALEXIS LYNN?
The ISRC for "THINGS GET GOOD" by ALEXIS LYNN, ALEXIS LYNN;ALEXIS LEIBENZEDER;MELANIE FONTANA;WILLIAM JAY BEHLENDORF is QZHN51981470.
Who wrote "THINGS GET GOOD"?
"THINGS GET GOOD" was written by ALEXIS LYNN, MELANIE JOY FONTANA, MICHEL SCHULZ, WILLIAM JAY BEHLENDORF.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZHN51981470?

QZHN51981470 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THINGS GET GOOD" by ALEXIS LYNN, ALEXIS LYNN;ALEXIS LEIBENZEDER;MELANIE FONTANA;WILLIAM JAY BEHLENDORF. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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