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I woke up early and fainted album cover

ISRC

QZHN92487103

I woke up early and fainted

Song: I WOKE UP EARLY AND FAINTED

wiv
matched
Released 2024-04-12

Last verified:

QZHN92487103 is the International Standard Recording Code (ISRC) for the recording “I woke up early and fainted” by wiv, released 2024-04-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAWID OKREGLICKI.

Format

QZCountry
HN9Registrant
24Year (2024)
87103Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAWID OKREGLICKIComposerLyricist
KURATE MUSIC PUBLISHING OriginalPublisher
WODP US SubPublisherIPI: 01211614801

Who publishes this song?

KURATE MUSIC PUBLISHINGOriginalPublisher
WODP USSubPublisher
IPI: 01211614801
SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "I woke up early and fainted" by wiv?
The ISRC for "I woke up early and fainted" by wiv is QZHN92487103.
Who wrote "I woke up early and fainted"?
"I woke up early and fainted" was written by DAWID OKREGLICKI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZHN92487103?

QZHN92487103 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I woke up early and fainted” by wiv. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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