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PASSENGER PRINCESS (FEAT. SMINO) album cover

ISRC

QZJ842403465

PASSENGER PRINCESS (FEAT. SMINO)

AMINÉSMINO
matched

Last verified:

QZJ842403465 is the International Standard Recording Code (ISRC) for the recording "PASSENGER PRINCESS (FEAT. SMINO)" by AMINÉ, SMINO. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ED WILLIS LEVERT, CHRISTOPHER SMITH JR., ADAM AMINE DANIEL, and others.

Format

QZCountry
J84Registrant
24Year (2024)
03465Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPASSENGER PRINCESS (FEAT. SMINO)
IPIED WILLIS LEVERT

Related

Songwriter profiles

ED WILLIS LEVERTIPIADAM AMINE DANIELIPIROBERT DUKESIPISCOTT ZHANGIPI

People also ask

What is the ISRC for "PASSENGER PRINCESS (FEAT. SMINO)" by AMINÉ?
The ISRC for "PASSENGER PRINCESS (FEAT. SMINO)" by AMINÉ, SMINO is QZJ842403465.
Who wrote "PASSENGER PRINCESS (FEAT. SMINO)"?
"PASSENGER PRINCESS (FEAT. SMINO)" was written by ED WILLIS LEVERT, CHRISTOPHER SMITH JR., ADAM AMINE DANIEL, ROBERT DUKES, SCOTT ZHANG, NILE GOVEIA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZJ842403465?

QZJ842403465 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "PASSENGER PRINCESS (FEAT. SMINO)" by AMINÉ, SMINO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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