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WORK ON ME (DIRTY) album cover

ISRC

QZL382504261

WORK ON ME (DIRTY)

Song: WORK ON ME (FEAT. R. CITY)

R. CITYDELI BANGERR. CITY FEATURING DELI BANGER
unmatchedNot yet matched in the MLC database

Last verified:

QZL382504261 is the International Standard Recording Code (ISRC) for the recording “WORK ON ME (DIRTY)” by R. CITY, DELI BANGER, R. CITY FEATURING DELI BANGER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIMOTHY THOMAS, THERON THOMAS, CLAUDELL MAURICE MONSANTO, and others.

Format

QZCountry
L38Registrant
25Year (2025)
04261Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWORK ON ME (DIRTY)
IPITIMOTHY THOMAS

People also ask

What is the ISRC for "WORK ON ME (DIRTY)" by R. CITY?
The ISRC for "WORK ON ME (DIRTY)" by R. CITY, DELI BANGER, R. CITY FEATURING DELI BANGER is QZL382504261.
Who wrote "WORK ON ME (DIRTY)"?
"WORK ON ME (DIRTY)" was written by TIMOTHY THOMAS, THERON THOMAS, CLAUDELL MAURICE MONSANTO, KACEY PHILLIPS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZL382504261?

QZL382504261 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WORK ON ME (DIRTY)” by R. CITY, DELI BANGER, R. CITY FEATURING DELI BANGER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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