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MAAN MERI JAAN (TIKTOK VERSION) album cover

ISRC

QZMEN2354414

MAAN MERI JAAN (TIKTOK VERSION)

Song: MAAN MERI JAAN (AFTERLIFE)

ARAFAT KHAN
unmatchedNot yet matched in the MLC database

Last verified:

QZMEN2354414 is the International Standard Recording Code (ISRC) for the recording "MAAN MERI JAAN (TIKTOK VERSION)" by ARAFAT KHAN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIRANDA GLORY INZUNZA, NATANIA LALWANI, DAVID ARKWRIGHT, and others.

Format

QZCountry
MENRegistrant
23Year (2023)
54414Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMAAN MERI JAAN (TIKTOK VERSION)
IPIMIRANDA GLORY INZUNZA

People also ask

What is the ISRC for "MAAN MERI JAAN (TIKTOK VERSION)" by ARAFAT KHAN?
The ISRC for "MAAN MERI JAAN (TIKTOK VERSION)" by ARAFAT KHAN is QZMEN2354414.
Who wrote "MAAN MERI JAAN (TIKTOK VERSION)"?
"MAAN MERI JAAN (TIKTOK VERSION)" was written by MIRANDA GLORY INZUNZA, NATANIA LALWANI, DAVID ARKWRIGHT, PARIS CARNEY, NICHOLAS JERRY JONAS, SAURABH LOKHANDE, ARPAN KUMAR CHANDEL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZMEN2354414?

QZMEN2354414 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "MAAN MERI JAAN (TIKTOK VERSION)" by ARAFAT KHAN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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