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ISRC

QZNMY2209829

JO TU NA MILA

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QZNMY2209829 is the International Standard Recording Code (ISRC) for the recording “JO TU NA MILA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ASIM AZHAR, HASAN ALI.

Format

QZCountry
NMYRegistrant
22Year (2022)
09829Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ASIM AZHARComposer
UNIVERSAL MUSIC PUB PVT LTD. OriginalPublisher0.00%IPI: 00665531630
UNIVERSAL-POLYGRAM INTL TUNES INC. SubPublisher100.00%IPI: 00282802660
HASAN ALIComposer
UNIVERSAL MUSIC PUB PVT LTD. OriginalPublisher0.00%IPI: 00665531630
UNIVERSAL-POLYGRAM INTL TUNES INC. SubPublisher100.00%IPI: 00282802660

Who publishes this song?

UNIVERSAL MUSIC PUB PVT LTD.OriginalPublisher
IPI: 00665531630
UNIVERSAL-POLYGRAM INTL TUNES INC.SubPublisher
IPI: 00282802660

MLC Song Code

JB7OXE
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "JO TU NA MILA"?
The ISRC for "JO TU NA MILA" is QZNMY2209829.
Who wrote "JO TU NA MILA"?
"JO TU NA MILA" was written by ASIM AZHAR, HASAN ALI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNMY2209829?

QZNMY2209829 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “JO TU NA MILA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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