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BEEN BROKE [AT THE CRIB VERSION] album cover

ISRC

QZNMY2220075

BEEN BROKE [AT THE CRIB VERSION]

Song: BEEN BROKE

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QZNMY2220075 is the International Standard Recording Code (ISRC) for the recording "BEEN BROKE [AT THE CRIB VERSION]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NICHOLAS JAY HUMES, JOSHUA CHRISTIAN CONERLY, HAKEEM T SERIKI, and others.

Format

QZCountry
NMYRegistrant
22Year (2022)
20075Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBEEN BROKE [AT THE CRIB VERSION]
IPINICHOLAS JAY HUMES

Related

Songwriter profiles

NICHOLAS JAY HUMESIPIJOSHUA CHRISTIAN CONERLYIPIHAKEEM T SERIKIIPITOBE NWIGWEIPITAUHEED EPPSIPI

People also ask

What is the ISRC for "BEEN BROKE [AT THE CRIB VERSION]"?
The ISRC for "BEEN BROKE [AT THE CRIB VERSION]" is QZNMY2220075.
Who wrote "BEEN BROKE [AT THE CRIB VERSION]"?
"BEEN BROKE [AT THE CRIB VERSION]" was written by NICHOLAS JAY HUMES, JOSHUA CHRISTIAN CONERLY, HAKEEM T SERIKI, NICK BAKER, TOBE NWIGWE, TAUHEED EPPS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNMY2220075?

QZNMY2220075 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BEEN BROKE [AT THE CRIB VERSION]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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