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ISRC

QZNMY2267203

LASS MICH NICHT GEHEN

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QZNMY2267203 is the International Standard Recording Code (ISRC) for the recording "LASS MICH NICHT GEHEN". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANNES GELTL, CHRISTOPH GROSS, NIKOLAS AMOS HERRMANN, and others.

Format

QZCountry
NMYRegistrant
22Year (2022)
67203Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

CHRISTOPH GROSSIPINIKOLAS AMOS HERRMANNIPIMILENA DOROTHE HERRMANNIPIJONAS HORCHEIPISILVAN LORETTO JOSEF LACKERSCHMIDIPIVINCENT SEMLINGERIPIJOSEFIN ELVIRA VOGLERIPIMAX MOSTLEYIPIRAPHAEL ENDRASSIPI

People also ask

What is the ISRC for "LASS MICH NICHT GEHEN"?
The ISRC for "LASS MICH NICHT GEHEN" is QZNMY2267203.
Who wrote "LASS MICH NICHT GEHEN"?
"LASS MICH NICHT GEHEN" was written by JOHANNES GELTL, CHRISTOPH GROSS, NIKOLAS AMOS HERRMANN, MILENA DOROTHE HERRMANN, JONAS HORCHE, SIMON KERLER, SILVAN LORETTO JOSEF LACKERSCHMID, VINCENT SEMLINGER, JOSEFIN ELVIRA VOGLER, MAX MOSTLEY, RAPHAEL ENDRASS, JEAN-PAUL GOETT, SEMINA CEVIK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNMY2267203?

QZNMY2267203 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LASS MICH NICHT GEHEN". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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