Dawged Em Skit album cover

ISRC

QZNMY2304790

Dawged Em Skit

Song: DAWGED EM SKIT

Brent FaiyazTTM Dawg
unmatchedNot yet matched in the MLC database
Released 2023-10-27

Last verified:

QZNMY2304790 is the International Standard Recording Code (ISRC) for the recording "Dawged Em Skit" by Brent Faiyaz, TTM Dawg, released 2023-10-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVID PATINO, CHRISTOPHER WOOD.

Format

QZCountry
NMYRegistrant
23Year (2023)
04790Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAVID PATINOComposerLyricist
DOWNTOWN DLJ SONGS LLC OriginalPublisherIPI: 00647171538
CHRISTOPHER WOODComposerLyricist

Who publishes this song?

DOWNTOWN DLJ SONGS LLCOriginalPublisher
IPI: 00647171538

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Dawged Em Skit" by Brent Faiyaz?
The ISRC for "Dawged Em Skit" by Brent Faiyaz, TTM Dawg is QZNMY2304790.
Who wrote "Dawged Em Skit"?
"Dawged Em Skit" was written by DAVID PATINO, CHRISTOPHER WOOD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNMY2304790?

QZNMY2304790 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dawged Em Skit" by Brent Faiyaz, TTM Dawg. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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