ISRC

QZNWS2123625

THE PENGUINS OF MADAGASCAR THEME (FROM “THE PENGUINS OF MADAGASCAR”)

Song: THE PENGUINS OF MADAGASCAR CUES

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QZNWS2123625 is the International Standard Recording Code (ISRC) for the recording “THE PENGUINS OF MADAGASCAR THEME (FROM “THE PENGUINS OF MADAGASCAR”). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADAM BERRY, BOB ROTH, BILL MOTZ.

Format

QZCountry
NWSRegistrant
21Year (2021)
23625Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE PENGUINS OF MADAGASCAR THEME (FROM “THE PENGUINS OF MADAGASCAR”)

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People also ask

What is the ISRC for "THE PENGUINS OF MADAGASCAR THEME (FROM “THE PENGUINS OF MADAGASCAR”)"?
The ISRC for "THE PENGUINS OF MADAGASCAR THEME (FROM “THE PENGUINS OF MADAGASCAR”)" is QZNWS2123625.
Who wrote "THE PENGUINS OF MADAGASCAR THEME (FROM “THE PENGUINS OF MADAGASCAR”)"?
"THE PENGUINS OF MADAGASCAR THEME (FROM “THE PENGUINS OF MADAGASCAR”)" was written by ADAM BERRY, BOB ROTH, BILL MOTZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNWS2123625?

QZNWS2123625 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE PENGUINS OF MADAGASCAR THEME (FROM “THE PENGUINS OF MADAGASCAR”). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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