When I'm Gone album cover

ISRC

QZNWV2381907

When I'm Gone

Song: WHEN IM GONE

George Ragan the Dead Son
unmatchedNot yet matched in the MLC database
Released 2023-07-28

Last verified:

QZNWV2381907 is the International Standard Recording Code (ISRC) for the recording "When I'm Gone" by George Ragan the Dead Son, released 2023-07-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
NWVRegistrant
23Year (2023)
81907Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "When I'm Gone" by George Ragan the Dead Son?
The ISRC for "When I'm Gone" by George Ragan the Dead Son is QZNWV2381907.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNWV2381907?

QZNWV2381907 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "When I'm Gone" by George Ragan the Dead Son. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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