For The Fallen album cover

ISRC

QZPLR2342714

For The Fallen2

Song: FOR THE FALLEN

Whitesand
matched
Released 2023-08-11

Last verified:

QZPLR2342714 is the International Standard Recording Code (ISRC) for the recording “For The Fallen by Whitesand, released 2023-08-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARTYNAS LAURINAVICIUS.

Format

QZCountry
PLRRegistrant
23Year (2023)
42714Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARTYNAS LAURINAVICIUSComposerLyricist
FREQUENCY PUBLISHING OriginalPublisherIPI: 01015485285
SENTRIC MUSIC LIMITED SubPublisherIPI: 00509030978

Who publishes this song?

FREQUENCY PUBLISHINGOriginalPublisher
IPI: 01015485285
SENTRIC MUSIC LIMITEDSubPublisher
IPI: 00509030978
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "For The Fallen" by Whitesand?
The ISRC for "For The Fallen" by Whitesand is QZPLR2342714.
Who wrote "For The Fallen"?
"For The Fallen" was written by MARTYNAS LAURINAVICIUS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZPLR2342714?

QZPLR2342714 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “For The Fallen by Whitesand. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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