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GROW UP WEDDING VERSION album cover

ISRC

QZQAY2590546

GROW UP WEDDING VERSION

Song: GROW UP

LATE NIGHT THOUGHTS
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Last verified:

QZQAY2590546 is the International Standard Recording Code (ISRC) for the recording “GROW UP WEDDING VERSION” by LATE NIGHT THOUGHTS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEFF GARRISON, BRIAN RAUGH, MICHAEL HARLOW, and others.

Format

QZCountry
QAYRegistrant
25Year (2025)
90546Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JEFF GARRISONComposerLyricist
BRIAN RAUGHComposerLyricist
MICHAEL HARLOWComposerLyricist
JOEL THOMAS CROUSEComposerLyricist

MLC Song Code

GC1U81
Verify on MLC Portal →
SourcesNotesMusicBrainz2 sources

Verified on

People also ask

What is the ISRC for "GROW UP WEDDING VERSION" by LATE NIGHT THOUGHTS?
The ISRC for "GROW UP WEDDING VERSION" by LATE NIGHT THOUGHTS is QZQAY2590546.
Who wrote "GROW UP WEDDING VERSION"?
"GROW UP WEDDING VERSION" was written by JEFF GARRISON, BRIAN RAUGH, MICHAEL HARLOW, JOEL THOMAS CROUSE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZQAY2590546?

QZQAY2590546 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “GROW UP WEDDING VERSION” by LATE NIGHT THOUGHTS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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