THE ONE PERO NO COMO YO album cover

ISRC

QZQMB2107028

THE ONE PERO NO COMO YO

Song: THE ONE (PERO NO COMO YO)

CARIN LEON KANE BROWN
matched
Released 2024-03-15

Last verified:

QZQMB2107028 is the International Standard Recording Code (ISRC) for the recording "THE ONE PERO NO COMO YO" by CARIN LEON KANE BROWN, released 2024-03-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GILBERTO MARIN ESPINOZA, JULIO RAMIREZ EGUIA, EDGAR IVAN BARRERA, and others.

Format

QZCountry
QMBRegistrant
21Year (2021)
07028Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE ONE PERO NO COMO YO

People also ask

What is the ISRC for "THE ONE PERO NO COMO YO" by CARIN LEON KANE BROWN?
The ISRC for "THE ONE PERO NO COMO YO" by CARIN LEON KANE BROWN is QZQMB2107028.
Who wrote "THE ONE PERO NO COMO YO"?
"THE ONE PERO NO COMO YO" was written by GILBERTO MARIN ESPINOZA, JULIO RAMIREZ EGUIA, EDGAR IVAN BARRERA, JONATHAN DAVID CAPECI, KANE BROWN, OSCAR ARMANDO DIAZ DE LEON HUEZ, ANDREA MANGIAMARCHI, JOHAN NATTAN SOTELO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZQMB2107028?

QZQMB2107028 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE ONE PERO NO COMO YO" by CARIN LEON KANE BROWN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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