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DIE FOR MINE album cover

ISRC

QZRD92405075

DIE FOR MINE

Concrete Boys
unmatchedNot yet matched in the MLC database
Released 2024-09-07

Last verified:

QZRD92405075 is the International Standard Recording Code (ISRC) for the recording "DIE FOR MINE" by Concrete Boys, released 2024-09-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MILES PARKS MCCOLLUM, KEVIN ANDRE PRICE, MATHIAS DANIEL LIYEW, and others.

Format

QZCountry
RD9Registrant
24Year (2024)
05075Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDIE FOR MINE
IPIMILES PARKS MCCOLLUM

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Songwriter profiles

MILES PARKS MCCOLLUMIPIKEVIN ANDRE PRICEIPIMATHIAS DANIEL LIYEWIPITHOMAS LUMPKINSIPIDILLAN MICHAEL CASTERIPICAMERON BUTTSIPI

People also ask

What is the ISRC for "DIE FOR MINE" by Concrete Boys?
The ISRC for "DIE FOR MINE" by Concrete Boys is QZRD92405075.
Who wrote "DIE FOR MINE"?
"DIE FOR MINE" was written by MILES PARKS MCCOLLUM, KEVIN ANDRE PRICE, MATHIAS DANIEL LIYEW, THOMAS LUMPKINS, DILLAN MICHAEL CASTER, KARRAH SCHUSTER, CAMERON BUTTS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZRD92405075?

QZRD92405075 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DIE FOR MINE" by Concrete Boys. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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