HARDER THEY COME album cover

ISRC

QZRUP2400047

HARDER THEY COME

ANTHONY MALVOANTHONY MALVO PARISH RECORDSPARISH RECORDSPARISH RECORDS;ANTHONY MALVO
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Last verified:

QZRUP2400047 is the International Standard Recording Code (ISRC) for the recording “HARDER THEY COME by ANTHONY MALVO, ANTHONY MALVO PARISH RECORDS, PARISH RECORDS, PARISH RECORDS;ANTHONY MALVO. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LEROY MATTHEW MOORE, JAMES CHAMBERS, CONRAD CONSTANTINE HUNTER.

Format

QZCountry
RUPRegistrant
24Year (2024)
00047Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHARDER THEY COME

People also ask

What is the ISRC for "HARDER THEY COME" by ANTHONY MALVO?
The ISRC for "HARDER THEY COME" by ANTHONY MALVO, ANTHONY MALVO PARISH RECORDS, PARISH RECORDS, PARISH RECORDS;ANTHONY MALVO is QZRUP2400047.
Who wrote "HARDER THEY COME"?
"HARDER THEY COME" was written by LEROY MATTHEW MOORE, JAMES CHAMBERS, CONRAD CONSTANTINE HUNTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZRUP2400047?

QZRUP2400047 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HARDER THEY COME by ANTHONY MALVO, ANTHONY MALVO PARISH RECORDS, PARISH RECORDS, PARISH RECORDS;ANTHONY MALVO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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