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Cherry (live at the Kennedy Center) album cover

ISRC

QZUX22200006

Cherry (live at the Kennedy Center)

Russell TaylorChris “ Biscuit” BynumTashera RobinsonSol EdlerZach CutlerElliot JeffersonDennis Turner
Released 2023-05-26

Last verified:

QZUX22200006 is the International Standard Recording Code (ISRC) for the recording “Cherry (live at the Kennedy Center)” by Russell Taylor, Chris “ Biscuit” Bynum, Tashera Robinson, Sol Edler, Zach Cutler, Elliot Jefferson, Dennis Turner, released 2023-05-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
UX2Registrant
22Year (2022)
00006Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cherry (live at the Kennedy Center)" by Russell Taylor?
The ISRC for "Cherry (live at the Kennedy Center)" by Russell Taylor, Chris “ Biscuit” Bynum, Tashera Robinson, Sol Edler, Zach Cutler, Elliot Jefferson, Dennis Turner is QZUX22200006.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZUX22200006?

QZUX22200006 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cherry (live at the Kennedy Center)” by Russell Taylor, Chris “ Biscuit” Bynum, Tashera Robinson, Sol Edler, Zach Cutler, Elliot Jefferson, Dennis Turner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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