ALL THE GIRLS <3 (FEAT. TONY SHHNOW) album cover

ISRC

QZVM32200071

ALL THE GIRLS <3 (FEAT. TONY SHHNOW)

Song: ALL THE GIRLS 3

POPSTAR BENNYTONY SHHNOW
matched
Released 2023-01-27

Last verified:

QZVM32200071 is the International Standard Recording Code (ISRC) for the recording "ALL THE GIRLS <3 (FEAT. TONY SHHNOW)" by POPSTAR BENNY, TONY SHHNOW, released 2023-01-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHASON TYREE HOWARD, TONY SHHNOW.

Format

QZCountry
VM3Registrant
22Year (2022)
00071Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCALL THE GIRLS <3 (FEAT. TONY SHHNOW)

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Songwriter profiles

People also ask

What is the ISRC for "ALL THE GIRLS <3 (FEAT. TONY SHHNOW)" by POPSTAR BENNY?
The ISRC for "ALL THE GIRLS <3 (FEAT. TONY SHHNOW)" by POPSTAR BENNY, TONY SHHNOW is QZVM32200071.
Who wrote "ALL THE GIRLS <3 (FEAT. TONY SHHNOW)"?
"ALL THE GIRLS <3 (FEAT. TONY SHHNOW)" was written by CHASON TYREE HOWARD, TONY SHHNOW.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZVM32200071?

QZVM32200071 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ALL THE GIRLS <3 (FEAT. TONY SHHNOW)" by POPSTAR BENNY, TONY SHHNOW. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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