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TOO TOXIC album cover

ISRC

QZWDE2550417

TOO TOXIC

ASHLEE KEATING
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QZWDE2550417 is the International Standard Recording Code (ISRC) for the recording "TOO TOXIC" by ASHLEE KEATING. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DASHAWN WHITE, JOSEPH CHARLES, POLET SABINE LEOS, and others.

Format

QZCountry
WDERegistrant
25Year (2025)
50417Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

POLET SABINE LEOSIPIHENRIK NILS JONBACKIPIWYATT PAYNE MORRISONIPIASHLEE KEATINGIPICHRISTIAN LARS KARLSSONIPIPONTUS JOHAN WINNBERGIPICATHERINE ROSEANNE DENNISIPI

People also ask

What is the ISRC for "TOO TOXIC" by ASHLEE KEATING?
The ISRC for "TOO TOXIC" by ASHLEE KEATING is QZWDE2550417.
Who wrote "TOO TOXIC"?
"TOO TOXIC" was written by DASHAWN WHITE, JOSEPH CHARLES, POLET SABINE LEOS, HENRIK NILS JONBACK, KEVIN BEGGS, JUSTIN GARNER, THOMAS SOLIS, ANTHONY BONADONNA, WYATT PAYNE MORRISON, ASHLEE KEATING, CHRISTIAN LARS KARLSSON, PONTUS JOHAN WINNBERG, CATHERINE ROSEANNE DENNIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZWDE2550417?

QZWDE2550417 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TOO TOXIC" by ASHLEE KEATING. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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